Dallas Audio Post

What does your ADR workflow look like?

Dallas Audio Post receives cues, Exhibit G, QuickTimes, and reference audio via secure channels and preps the full ADR session in Pro Tools. Talent records in-studio with Schoeps, Sennheiser, and DPA microphones — boom and lav captured on stereo tracks. Client connects via Zoom with low-latency, high-frame-rate picture playback. Our engineering team brings over 25 years of ADR experience across film, television, animation, and dubbing projects. After wrap, the session is stripped of routing and delivered via secure channels. All reference materials are deleted for added security, and signed Ex

How does playback-to-picture work during a remote session?

During a remote directed session at Dallas Audio Post, video is streamed to Zoom at high frame rate with low latency. Audio comes directly from the Pro Tools session routed into Zoom at full quality — not a degraded screen share. This means the agency and their end client hear the spot exactly as it will sound in the final mix, in sync with picture.

Does Dallas Audio Post work with out-of-state agencies?

Yes. Dallas Audio Post serves advertising agencies and production companies nationwide. Our agency clients in DC, Portland, New York, and across the country direct sessions over Zoom while talent connects via Source Connect from anywhere. The session engineering is the same whether the agency is local or remote — flawless execution every time.

How do I prepare files for audio post-production?

For film and television projects, we recommend delivering a Pro Tools-ready AAF exported from your NLE (such as Adobe Premiere or Avid Media Composer). Dallas Audio Post provides a detailed guide on preparing AAF files from Premiere at dallasaudiopost.com/how-to-deliver-a-pro-tools-ready-aaf-from-adobe-premiere/. Files can be uploaded securely through our Massive portal.

Do you handle sound design and original music?

Yes — both are core services at Dallas Audio Post. Our sound design work covers everything from commercial spots to feature films, built from original recordings and our own echo|collective sound effects libraries. For original music, Brad Dale composes custom scores for longform, commercial, and sports productions — from concept through final delivery.